Time Passages

A son struggles to connect with his mother living with dementia.
by
Year Released
2024
Film Length(s)
87 mins
Closed captioning available
Remote video URL

Introduction

A gay filmmaker “time travels” during a global pandemic as his mother’s health declines from late-stage dementia in a race against the clock to resolve their fraught relationship before it's too late. A playful journey through matters of life and grief!

Featured review

“… puts a spotlight on how families grapple with dementia and care … opens the door for connections with other families.”
Remus Jackson
Film Critic, Hyperreal Film Club

Synopsis

In the final months of his mother Elaine’s late-stage dementia, as a pandemic rages across the globe, filmmaker Kyle Henry time travels via his family archive and his own memories to heal past wounds. Theirs is a large Texan family, but as one of Elaine's primary caregivers, the gay son shares a unique and complicated bond with his mother. Charting his mother’s early life and dashed desires through to years of motherhood and self-sacrifice, and tracing their relationship to its inevitable end, Time Passages playfully reckons with feelings of grief, conflict and loss of control. Beneath the Kodachrome smiles and grainy Super-8 home movies, Henry unearths difficult truths as an act of intergenerational healing that becomes a testament to love, legacy and those things that carry us through life’s most challenging times.

Over a decade ago, as the child of aging parents, director Kyle Henry began obsessively collecting the objects and images of his vast family archive. Time Passages culls material from over 10,000 family photos, over a thousand pages of documents, and hundreds of hours of home movies and taped interviews, then weaves them together with performative investigations in a black-box “theater of the mind,” stop-motion animation, location footage filmed across the USA, as well as the video diaries, Zoom and Facetime calls recorded during the months of Elaine’s final decline in 2020. Time Passages is a collage of film, video, audio, photographic, and digital materials that crisscross time and space. Filmed on location in California, Illinois, Missouri, Ohio, Texas and upstate New York, the film considers additionally the crisis of eldercare affordability, and the toxic legacies of gender and racial discrimination, and environmental pollution, which is hidden within all our family archives.

Reviews

"...a disarmingly devastating and sweet documentary ... that celebrates life in its multifaceted complexity.”
Zachary Lee
Film Reviewer, RogerEbert.com
"... proves to me how important it is to preserve our own individual histories and to share them with others."
Dan Pal
Critic, PalCinema

Awards and Screenings

Austin Film Society Doc Days
Chicago International Film Festival
Cinequest Film Festival
Houston Cinema Arts Festival

Director Commentary

My films “burrow deeply into the minutiae of ordinary life” (Variety) to explore complicated interpersonal and community relationships. For over thirty years, I have brought my audiences into empathetic contact with human beings in crisis and on the brink of transformation.

Time Passages deals with family relationships, death, loss and the limits of power and control forced in part by the COVID pandemic. As one of my mother’s primary caregivers, I turned the camera on the two of us, recording the last five months that ended in her death in July 2020. I didn’t realize the crisis and the transformative narrative I would document would be my own. Wrestling with Elaine’s passing for the next three years, I created a black box “theater of the mind” space, sifting through the vast collection of photographs and objects, and playing with toy figurines to bring memories to life.

Nothing about the grieving process during peak COVID or since has been “normal.” The film is my attempt to understand what happened, not only during the pandemic, but over the course of my life, in relationship to my mother and my nation.

As a gay white man in the United States, my society has positioned me as both an insider and outsider. I think the double-minded approach to the film, both a documentation and a performative narrativization, is intrinsically queer due to this positioning. I believe that the personal, social and the political are all intrinsically intertwined, and I strive to interweave these strands together to give a more accurate picture of who we were ... and now are as a society.

Stylistically, the film takes an innovative performative approach to documentary practice, with
stop-motion animated reenactments of family dramas, my performative investigations, and cellphone video diary entries combining to create a kaleidoscopic embodiment of the shifting properties of time itself. The film is also a sort of musical!

Finally, I hope this film adds to the important body of art works seeking healing catharsis in the wake of the global COVID pandemic. Best wishes to all!

Features and Languages

Film Features

  • Closed Captioning
  • Subtitles

Film/Audio Languages

  • English

Subtitle/Caption Languages

  • English

Promotional Material

Promotional Stills

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